In other hands, the atmospheric production might be music for Scandinavian teenagers to be depressed to-but Phil, even at his most meditative, brings a bounce to it. On the tape, his Swedish producers’ instrumentals range from ambient and eerie (“I’m Not Them”) to what sounds like the sun peeking through the clouds after a thunderstorm (“Victory Music”), their spareness making Phil’s words hit even harder than usual. The latest result of that focus is Victory Music, which sends you even deeper into Phil’s mind. “It was all I had during that time,” he says. Phil wanted to get a job, but COVID made those hard to come by, so he just put all his focus into rap. At first they stayed at Airbnbs, before eventually landing an apartment. He drove all the way to the West Coast alongside New York rapper 1600J with no real plan in mind for his new L.A. He spent the three months before the cross-country trek saving up a couple of thousand dollars by working a job at a gas station, hardly spending a cent of his paychecks on anything but bus rides.
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